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''Blue Monday (Opera à la Afro-American)'' was the original name of a one-act "jazz opera" by George Gershwin, renamed ''135th Street'' during a later production. The English libretto was written by Buddy DeSylva. Though a short piece, with a running time of between twenty and thirty minutes, ''Blue Monday'' is often considered the blueprint to many of Gershwin's later works, and is often considered to be the "first piece of symphonic jazz" in that it was the first significant attempt to fuse forms of classical music such as opera with American popular music, with the opera largely influenced by Jazz and the African-American culture of Harlem. == Characters == *Roles * *Joe, a gambler, tenor * *Vi, his sweetheart, lyric soprano * *Tom, café entertainer and singer, baritone * *Mike, café proprietor and manager, bass * *Sam, café worker and custodian, baritone * *Sweetpea, café pianist *Chorus * *Guests As in Gershwin's later opera ''Porgy and Bess'', all the singing roles are African-American characters. Unlike ''Porgy and Bess'', however, the original production of ''Blue Monday'' was performed by white singers in blackface. :''Setting: A basement café near the intersection of 135th Street and Lenox Avenue in Harlem, New York City.'' :''Time: An evening during the Jazz Age, beginning at around 9:30 P.M.'' After a brief overture, the gambler Joe appears in front of the curtain as a Prologue, in a reference to the character Tonio's opening aria in ''Pagliacci''. Like that number, which explained the serious nature of Leoncavallo's opera as if it were an actual event, Joe tells his audience that just like "the white man's opera", this "colored () tragedy enacted in operatic style" focuses on primal human emotions such as love, hate, passion and jealousy, and that the moral of the story is that tragic results come from when a woman's intuition goes wrong (Joe: "Ladies and gentlemen!"). As the curtain rises on a café with a bar, gambling room and dance floor, café owner Mike berates his worker Sam for his laziness and commands him to get to work. As Sam sweeps the floor, he relates that he resents "Blue Monday" because he always loses at dice gambling and it is the day when people die, and concludes that there is no use working on Mondays (Sam: "Blue Monday Blues"). The pianist Sweetpea arrives and plays for a while until the arrogant singer Tom comes in and knocks her out of the way, claiming that the only reason the café is still in business is his singing. Joe's sweetheart Vi enters, asking if anyone has seen her "lovin' man" Joe, whom she is supposed to be meeting for a date (Vi: "Has Anyone Seen My Joe?"). When Mike goes to the backroom to ask if anyone has seen Joe, Tom attempts to seduce and woo Vi. When Tom tells her that he loves her and asks what she sees in the gambler Joe, Vi angrily retorts that even if he gambles, Joe is a man and unique. Tom continues to try and persuade Vi to leave Joe for him and he attempts to kiss her, when Vi threatens him with a revolver that Joe had given her. Mike returns with the news that no one has seen Joe, and Vi leaves. Mike again calls Sam and scolds him for being lazy, and as Sam again sweeps the floor he sings a reprise the song "Blue Monday Blues" (Sam: "Monday's the day that all the earthquakes quiver"). This time Sam more directly foreshadows the event to come, as he states that "Monday's a day full of sad, sad news /... That's when a gal will pull a trigger, / A gal will pull a trigger". Joe enters the café and Tom hides behind the piano to eavesdrop on his conversation with Mike. After Mike tells Joe that Vi has been looking for him and that he has heard that Joe won a large deal of money in a game of craps, Joe tells him that he is going to use the money to travel to the South the next morning to visit his mother, whom he hasn't seen in years and to whom he has recently sent a telegram (Joe: "I'll tell the world I did"). Joe says that he can not tell Vi that he is going, and when asked why by Mike he says that she gets jealous and angry for irrational reasons. He then relates how he yearns to see his mother and return home (Joe: "I'm Gonna See My Mother"). Joe goes upstairs to meet Vi, and slowly the night's guests and customers arrive. After a dance, Vi tells him that she loves only him and although she is a jealous woman, if he remains true to her then she will be his (Vi: I love but you, my Joe, my Joe"). When Joe leaves to wait for a telegram from his mother, Tom tells Vi that he overheard Joe's conversation and that the telegram is from another woman. Vi initially refuses to believe him, but when Sweetpea arrives with Joe's telegram, Vi accuses Joe of infidelity and demands to see the telegram. Joe rebukes her by pushing her away, and when he opens the envelope Vi shoots him with the revolver from her handbag. Vi reads the letter, which says that there is no need for Joe to come because his mother had been dead for three years. When she realizes what she has done, she sinks to the floor and begs Joe for forgiveness, which she receives. As Joe dies, he sings that he is finally going to see his mother in heaven. (Joe: "I'm Gonna See My Mother"). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Blue Monday (opera)」の詳細全文を読む スポンサード リンク
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